Midi patchbay habe ich auch schon probiert. Allerdings war der Weg so kompliziert, dass es nicht zum Laufen bekommen habe. Ich hänge den Tipp von Stephen Siegel an. Bist Du auch Hornist?
Siegfrieds Gruß,
Markus
«Markus - I have a solution for youthat works in Finale 2004 or Finale 2005:
How to slave Logic to Finale 2004 or 2005 (does not work reliably with Finale 2006) on a single PowerMac).
Obtain a copy of the shareware program MIDI Patchbay at:
http://pete.yandell.com/software/
Please note that getting this to work depends upon opening the programs in the right order. You must open Finale first, then MIDI Patchbay and finally Logic. This is because first MIDI Patchbay and then Logic need to see Finale's Virtual Ports - so these ports must exist first.
open Finale.
Go to the MIDI Menu.
Choose MIDI Setup
Check “Enable Inter-Application MIDI”
Under input devices for channels 1-16 select your MIDI Controller; under output devices for Channels 1-16, select Finale 2005 Output 1, under output devices for channels 17-32 choose either Finale Output 2 or whatever external device you like.
open MIDI Patchbay:
Using the Edit Virtual Outputs command under the flip menu on the right hand side of the dialog box create two outputs called Logic Port 1 and Logic Port 2. Create and enable a Patch that directs MIDI data to go from Finale Output 1 to Logic Port 1 repeat this action for any other Finale Output you want to go to Logic Port 2. Save the document.
open Logic:
Go to the Clicks and Ports page of Logic’s environment. On the Physical Input you will see Finale’s Virtual Ports. Wire port 1 to a monitor object and do the same with port 2. Create two Channel splitter objects - - naming them Finale Port 1 and Finale Port 2. Connect these to the monitor objects you just created. (Take the wire from the monitor object output and stick it in the back of the Channel Splitter Object.)
Go to the Audio layer of the Environment. Create 16 or 32 or however many audio instruments you wish, instantiate EXS24 within these instruments. Make sure the AI’s are assigned to different channels. Move the Channel splitters to the Audio layer. (select the monitor objects and hold down the option key while selecting the Audio layer: using this procedure you can move any object from one layer to another). Wire the Channel Splitters sequentially to the Audio Instrument Objects. (Use the front ports on the Channel Splitters which are labeled 1-16, do not use the SUM port). Thus Channels 1-16 on the Channel splitter Finale Port 1 are wired sequentially to Audio Instruments 1-16 and the MIDI Channel selection for each Audio Instrument corresponds to the port on the Channel Splitter. Do the same for the second Channel Splitter. Load whatever samples you want into the multiple instances of EXS 24.
Move the Channel Splitters back to the Clicks and Ports Layer. Play something on your keyboard controller and check to see if the Monitor Objects show MIDI data. The port is live when you see MIDI data appearing within the Monitor Object. When you have determined that the ports are live go to Logic’s Arrange Window. In the Arrange Window create a NO OUTPUT Object.
Record arm all the Audio Instruments you wish to play, but shift select the NO OUTPUT track.
Return to Finale and set the instruments to those you want to hear in the Instrument List. Play back and EXS24 will play what you have written. To play different instruments within EXS 24 from your MIDI Controller, set the MIDI controller to send on the same Channel as the desired instrument.»
